{"id":3417,"date":"2022-12-08T13:33:37","date_gmt":"2022-12-08T13:33:37","guid":{"rendered":"https:\/\/2022studio.fr\/?p=3417"},"modified":"2026-06-13T19:04:15","modified_gmt":"2026-06-13T19:04:15","slug":"unguentarium-et-balsamaire-en-verre-vocabulaire-latin-et-terminologie-actuelle","status":"publish","type":"post","link":"https:\/\/cvh3.studio-transverse.fr\/?p=3417","title":{"rendered":"Unguentarium et balsamaire en verre. Vocabulaire latin et terminologie actuelle"},"content":{"rendered":"<div class=\"cnvs-block-collapsibles cnvs-block-collapsibles-1649769061718 cnvs-block-collapsibles-4\" >\n<div class=\"cnvs-block-collapsible cnvs-block-collapsible-1649769061742\" >\n<div class=\"cnvs-block-collapsible-title\">\n<h6 id=\"resume\" class=\"cnvs-block-collapsible-heading\">\n\t\t\t<a href=\"#\">R\u00e9sum\u00e9<\/a><br \/>\n\t\t<\/h6>\n<\/p><\/div>\n<div class=\"cnvs-block-collapsible-content\">\n<p>On trouvera ici une pr\u00e9sentation synth\u00e9tique et une mise au point pour les termes <span class=\"etrg\" lang=\"\">unguentarium<\/span> et balsamaire. Cette contribution vise \u00e0 lever la confusion qui s\u2019est progressivement cr\u00e9\u00e9e autour de ces termes. La r\u00e9flexion s\u2019articule \u00e0 la crois\u00e9e de trois disciplines&nbsp;: l\u2019arch\u00e9ologie, la philologie et la linguistique.<\/p>\n<\/p><\/div>\n<\/div>\n<div class=\"cnvs-block-collapsible cnvs-block-collapsible-1649769061744\" >\n<div class=\"cnvs-block-collapsible-title\">\n<h6 id=\"abstract\" class=\"cnvs-block-collapsible-heading\">\n\t\t\t<a href=\"#\">Abstract<\/a><br \/>\n\t\t<\/h6>\n<\/p><\/div>\n<div class=\"cnvs-block-collapsible-content\">\n<p class=\"titre-en\">Unguentarium and Glass Toilet Bottles. Latin Vocabulary and Contemporary Terminology.<\/p>\n<p>A synthetic presentation and a state-of-the art discussion for the words <span class=\"etrg\" lang=\"la\">unguentarium<\/span> and \u201cbalsamaire\u201d (toilet bottle) will be found in this paper, which will try to clarify the progressive confusion about these terms. A reflection that stands at the crossroads of three disciplinary fields: archeology, philology and linguistics.<\/p>\n<\/p><\/div>\n<\/div>\n<div class=\"cnvs-block-collapsible cnvs-block-collapsible-1649769063825\" >\n<div class=\"cnvs-block-collapsible-title\">\n<h6 id=\"mots-cles\" class=\"cnvs-block-collapsible-heading\">\n\t\t\t<a href=\"#\">Mots cl\u00e9s<\/a><br \/>\n\t\t<\/h6>\n<\/p><\/div>\n<div class=\"cnvs-block-collapsible-content\">\n<p>verre, flacon, unguentarium, unguentaria, balsamaire, vase, terminologie, typochronologie, parfum, Antiquit\u00e9.<\/p>\n<\/p><\/div>\n<\/div>\n<div class=\"cnvs-block-collapsible cnvs-block-collapsible-1681896105451\" >\n<div class=\"cnvs-block-collapsible-title\">\n<h6 id=\"a-propos-de-cet-article\" class=\"cnvs-block-collapsible-heading\">\n\t\t\t<a href=\"#\">\u00c0 propos de cet article<\/a><br \/>\n\t\t<\/h6>\n<\/p><\/div>\n<div class=\"cnvs-block-collapsible-content\">\n<p>Cet article a \u00e9t\u00e9 publi\u00e9 dans <span class=\"titre-o\">Flacons, fioles et fiasques. De l&#8217;Antiquit\u00e9 \u00e0 nos jours<\/span>. Les Cahiers de Verre &amp; Histoire n<sup>o<\/sup>&nbsp;3, Actes du troisi\u00e8me colloque international de l\u2019Association Verre &amp; Histoire, Rouen-Vall\u00e9e de la Bresle, 4-6&nbsp;avril 2013, Carr\u00e9&nbsp;A.-L. et Lagabrielle&nbsp;S. (dir.), Paris&nbsp;: \u00c9d.&nbsp;Verre &amp;&nbsp;Histoire, mai&nbsp;2019, p.&nbsp;79-86.<\/p>\n<\/p><\/div>\n<\/div>\n<\/div>\n<div class=\"wp-block-group\">\n<div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Sans pouvoir certes rivaliser avec l\u2019extr\u00eame diversit\u00e9 et le raffinement de nos flacons modernes, les verres \u00e0 parfum antiques utilis\u00e9s pour le commerce de d\u00e9tail frappent par la vari\u00e9t\u00e9 de leurs formes, de leurs dimensions et de leurs d\u00e9cors. Paradoxalement, le vocabulaire latin est assez pauvre en termes relatifs \u00e0 cette cat\u00e9gorie surabondante de r\u00e9cipients, et le sens des mots n\u2019est pas toujours clair pour nous. La terminologie moderne ne peut que tenter de pallier, dans une certaine mesure, cette indigence\u2026 en esp\u00e9rant ne pas y ajouter de la confusion<span class=\"rv-nbp\"><a href=\"#nbp1\" id=\"anbp1\">1<\/a><\/span>.<\/p>\n<h2 id=\"unguentarium-un-terme-generique\"><span class=\"etrg\" lang=\"la\">Unguentarium<\/span>, un terme g\u00e9n\u00e9rique<\/h2>\n<p><span class=\"etrg\" lang=\"la\">Unguentarium<\/span><span class=\"rv-nbp\"><a href=\"#nbp2\" id=\"anbp2\">2<\/a><\/span>, signifiant \u00ab&nbsp;r\u00e9cipient \u00e0 parfum&nbsp;\u00bb, est peu fr\u00e9quent dans les sources latines mais il pr\u00e9sente l\u2019avantage de rev\u00eatir un sens g\u00e9n\u00e9ral en \u00e9troit rapport \u00e9tymologique avec son contenu. Il est attest\u00e9 sous une forme adjectivale chez Pline l\u2019Ancien au <span class=\"p-cap\">I<\/span><sup>er<\/sup>&nbsp;si\u00e8cle et chez Ulpien, juriste du d\u00e9but du <span class=\"p-cap\">III<\/span><sup>e<\/sup>&nbsp;si\u00e8cle \u2013 <span class=\"etrg\" lang=\"la\">vas unguentarium<\/span><span class=\"rv-nbp\"><a href=\"#nbp3\" id=\"anbp3\">3<\/a><\/span> \u2013, et une fois comme nom \u2013 <span class=\"etrg\" lang=\"la\">unguentarium<\/span> \u2013 dans une correspondance adress\u00e9e au d\u00e9but du <span class=\"p-cap\">V<\/span><sup>e<\/sup>&nbsp;si\u00e8cle \u00e0 saint Augustin, \u00e9v\u00eaque d\u2019Hippone<span class=\"rv-nbp\"><a href=\"#nbp4\" id=\"anbp4\">4<\/a><\/span>. L\u2019<span class=\"etrg\" lang=\"la\">unguentarium<\/span> contient par d\u00e9finition un parfum<span class=\"rv-nbp\"><a href=\"#nbp5\" id=\"anbp5\">5<\/a><\/span> \u2013 <span class=\"etrg\" lang=\"la\">unguentum<\/span>, produit par le parfumeur \u2013 <span class=\"etrg\" lang=\"la\">unguentarius<\/span>, qui pouvait d\u2019ailleurs \u00eatre une femme \u2013 <span class=\"etrg\" lang=\"la\">unguentaria<\/span>, telle cette Licinia Primigenia qui tenait boutique pr\u00e8s de Naples, \u00e0 Pouzzoles en Campanie (<span class=\"rv-bibl\">CIL, <span class=\"p-cap\">X<\/span>, 1965<\/span>). Le mot est form\u00e9 sur le verbe <span class=\"etrg\" lang=\"la\">unguere<\/span> signifiant \u00ab&nbsp;enduire, frotter d\u2019une mati\u00e8re parfum\u00e9e, graisser&nbsp;\u00bb&nbsp;; ce dernier sens est \u00e9videmment en lien avec la nature des parfums qui, fondamentalement, associaient deux composants&nbsp;: une substance odorante volatile et, pour la fixer, une mati\u00e8re grasse, g\u00e9n\u00e9ralement une huile v\u00e9g\u00e9tale, comme l\u2019huile d\u2019olive<span class=\"rv-nbp\"><a href=\"#nbp6\" id=\"anbp6\">6<\/a><\/span>. Mais, dans la pratique, on constate que les m\u00eames r\u00e9cipients dits \u00ab&nbsp;\u00e0 parfum&nbsp;\u00bb pouvaient \u00e9galement contenir une poudre color\u00e9e que nous appelons fard.<\/p>\n<\/div>\n<\/div>\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z.jpg\"><img  loading=\"lazy\"  decoding=\"async\"  width=\"1381\"  height=\"1920\"  src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\"  alt=\"Unguentarium antique \u00e0 panse piriforme\"  class=\"wp-image-3816 pk-lazyload\"  data-pk-sizes=\"auto\"  data-ls-sizes=\"(max-width: 1381px) 100vw, 1381px\"  data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z.jpg\"  data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z.jpg 1381w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-216x300.jpg 216w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-768x1068.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-1105x1536.jpg 1105w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-380x528.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-800x1112.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-1160x1613.jpg 1160w\" ><\/a><figcaption class=\"wp-element-caption\"><span class=\"etq-fig\">Fig. 1<\/span> \u2013 <span class=\"etrg\" lang=\"la\">Unguentarium<\/span> \u00e0 panse piriforme, trouv\u00e9 \u00e0 Khirbet Qumr\u00e2n, Cisjordanie, H.&nbsp;: 9,8&nbsp;cm (Palestine Archaeological Museum of Jerusalem, n\u00b0&nbsp;inv.&nbsp;Kh.&nbsp;Q.&nbsp;654, milieu du <span class=\"p-cap\">I<\/span><sup>er<\/sup>&nbsp;s. apr.&nbsp;J.-C.).  <span class=\"cred-im\">(\u00a9&nbsp;IRPA, Bruxelles, J.&nbsp;Declercq.)<\/span><\/figcaption><\/figure>\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z.jpg\"><img  loading=\"lazy\"  decoding=\"async\"  width=\"1920\"  height=\"1018\"  src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\"  alt=\"Unguentaria gallo-romains en forme de chandelier, Belgique\"  class=\"wp-image-3817 pk-lazyload\"  data-pk-sizes=\"auto\"  data-ls-sizes=\"(max-width: 1920px) 100vw, 1920px\"  data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z.jpg\"  data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z.jpg 1920w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-300x159.jpg 300w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-768x407.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-1536x814.jpg 1536w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-380x201.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-800x424.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-1160x615.jpg 1160w\" ><\/a><figcaption class=\"wp-element-caption\"><span class=\"etq-fig\">Fig. 2<\/span> \u2013 <span class=\"etrg\">Unguentaria<\/span> dits \u00ab&nbsp;en forme de chandelier&nbsp;\u00bb, tumulus de Vorsen\/Fresin, H. de g. \u00e0 dr.&nbsp;: 19&nbsp;cm \/ 17,6&nbsp;cm \/ 18,1&nbsp;cm \/ 13,35&nbsp;cm \/ 20,3&nbsp;cm (Bruxelles, MRAH, n<sup>o<\/sup>&nbsp;inv. B 399, dernier tiers du <span class=\"p-cap\">II<\/span><sup>e<\/sup>&nbsp;s. apr.&nbsp;J.-C.). <span class=\"cred-im\">(\u00a9&nbsp;IRPA, Bruxelles, J.-L.&nbsp;Elias.)<\/span><\/figcaption><\/figure>\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z.jpg\"><img  loading=\"lazy\"  decoding=\"async\"  width=\"1177\"  height=\"1920\"  src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\"  alt=\"Unguentarium d'\u00e9poque romaine en forme de datte s\u00e9ch\u00e9e, Syrie\/Palestine\"  class=\"wp-image-3818 pk-lazyload\"  data-pk-sizes=\"auto\"  data-ls-sizes=\"(max-width: 1177px) 100vw, 1177px\"  data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z.jpg\"  data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z.jpg 1177w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-184x300.jpg 184w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-768x1253.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-942x1536.jpg 942w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-380x620.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-800x1305.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-1160x1892.jpg 1160w\" ><\/a><figcaption class=\"wp-element-caption\"><span class=\"etq-fig\">Fig. 3<\/span> \u2013 <span class=\"etrg\">Unguentarium<\/span> en forme de datte s\u00e9ch\u00e9e, production syro-palestinienne, H. 8&nbsp;cm (Li\u00e8ge, Mus\u00e9e Grand Curtius, n\u00b0 inv. B 363, premi\u00e8re moiti\u00e9 du <span class=\"p-cap\">I<\/span><sup>er<\/sup>-d\u00e9but du <span class=\"p-cap\">II<\/span><sup>e<\/sup>&nbsp;s. apr.&nbsp;J.-C.). <span class=\"cred-im\">(\u00a9&nbsp;IRPA, Bruxelles, J.-L.&nbsp;Elias.)<\/span><\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large is-style-default\"><a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-scaled.jpg\"><img  loading=\"lazy\"  decoding=\"async\"  width=\"1920\"  height=\"1440\"  src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\"  alt=\"Unguentarium syro-palestinien \u00e0 panse bic\u00e9phale, face et profil\"  class=\"wp-image-5030 pk-lazyload\"  data-pk-sizes=\"auto\"  data-ls-sizes=\"(max-width: 1920px) 100vw, 1920px\"  data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-1920x1440.jpg\"  data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-1920x1440.jpg 1920w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-300x225.jpg 300w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-150x113.jpg 150w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-768x576.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-1536x1152.jpg 1536w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-2048x1536.jpg 2048w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-200x150.jpg 200w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-260x195.jpg 260w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-380x285.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-800x600.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-1160x870.jpg 1160w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-80x60.jpg 80w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/12\/c3f-16-f04-ungentarium-panse-bicephale-scaled.jpg 2560w\" ><\/a><figcaption class=\"wp-element-caption\"><span class=\"etq-fig\">Fig. 4<\/span> \u2013 <span class=\"etrg\">Unguentarium<\/span> \u00e0 panse bic\u00e9phale, production syro-palestinienne, H.&nbsp;: 10&nbsp;cm (face et profil) (Li\u00e8ge, Mus\u00e9e Grand Curtius, n\u00b0 inv. 84\/34, fin du <span class=\"p-cap\">II<\/span><sup>e<\/sup>&nbsp;s. apr.&nbsp;J.-C.). <span class=\"cred-im\">(\u00a9&nbsp;IRPA, Bruxelles, J.-L.&nbsp;Elias.)<\/span><\/figcaption><\/figure>\n<p>Utilis\u00e9 par les arch\u00e9ologues, le terme <span class=\"etrg\" lang=\"la\">unguentarium<\/span> sert tr\u00e8s logiquement \u00e0 d\u00e9signer un large \u00e9ventail de flacons, \u00e0 panse plus ou moins renfl\u00e9e ou au contraire allong\u00e9e, \u00e0 col \u00e9troit, souvent tr\u00e8s \u00e9tir\u00e9 et resserr\u00e9 \u00e0 son d\u00e9part<span class=\"rv-nbp\"><a href=\"#nbp7\" id=\"anbp7\">7<\/a><\/span> [<span class=\"rv-fig\">fig.&nbsp;1 et&nbsp;7<\/span>]. Certains verres \u00e9voquent la silhouette d\u2019un chandelier [<span class=\"rv-fig\">fig.&nbsp;2<\/span>]. D\u2019autres adoptent la forme d\u2019une bouteille, d\u2019un coquillage, d\u2019un fruit (grappe de raisin, datte) [<span class=\"rv-fig\">fig.&nbsp;3<\/span>], d\u2019un oiseau ou d\u2019un poisson, ou encore d\u2019une chaussure. Des r\u00e9cipients pr\u00e9sentent une panse bic\u00e9phale [<span class=\"rv-fig\">fig.&nbsp;4 et&nbsp;5<\/span>]. D\u2019autres perp\u00e9tuent des formes anciennes, bien connues du r\u00e9pertoire vasculaire grec, et auxquelles l\u2019usage est d\u2019assigner, parfois plus par convention que sur base d\u2019arguments philologiques<span class=\"rv-nbp\"><a href=\"#nbp8\" id=\"anbp8\">8<\/a><\/span>, des noms bien pr\u00e9cis&nbsp;: (di)l\u00e9cythe, alabastre, \u0153nocho\u00e9, aryballe [<span class=\"rv-fig\">fig.&nbsp;6<\/span>], amphorisque, hydrisque, stamnos. De ces termes d\u2019origine grecque, seuls les deux premiers sont attest\u00e9s en latin, o\u00f9 ils peuvent d\u00e9signer comme en grec des formes de vase \u00e0 huile parfum\u00e9e&nbsp;: <span class=\"etrg\" lang=\"la\">lecythus<\/span><span class=\"rv-nbp\"><a href=\"#nbp9\" id=\"anbp9\">9<\/a><\/span> et <span class=\"etrg\" lang=\"la\">alabastrer<\/span> -ou <span class=\"etrg\" lang=\"la\">-trum<\/span><span class=\"rv-nbp\"><a href=\"#nbp10\" id=\"anbp10\">10<\/a><\/span>. Le terme <span class=\"etrg\" lang=\"la\">gut(t)us<\/span><span class=\"rv-nbp\"><a href=\"#nbp11\" id=\"anbp11\">11<\/a><\/span>, terme d\u00e9riv\u00e9 de <span class=\"etrg\" lang=\"la\">gutta<\/span>, la goutte, est naturellement appliqu\u00e9 \u00e0 tout vase pourvu d\u2019un tube verseur calibr\u00e9 pour un \u00e9coulement goutte \u00e0 goutte. Son usage comme vase \u00e0 parfum est attest\u00e9 \u00e0 la palestre comme aux bains<span class=\"rv-nbp\"><a href=\"#nbp12\" id=\"anbp12\">12<\/a><\/span>.<\/p>\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z.jpg\"><img  loading=\"lazy\"  decoding=\"async\"  width=\"1440\"  height=\"1920\"  src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\"  alt=\"Unguentarium syro-palestinien \u00e0 panse lenticulaire orn\u00e9e de t\u00eates de M\u00e9duse\"  class=\"wp-image-3821 pk-lazyload\"  data-pk-sizes=\"auto\"  data-ls-sizes=\"(max-width: 1440px) 100vw, 1440px\"  data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z.jpg\"  data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z.jpg 1440w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-225x300.jpg 225w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-768x1024.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-1152x1536.jpg 1152w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-380x507.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-800x1067.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-1160x1547.jpg 1160w\" ><\/a><figcaption class=\"wp-element-caption\"><span class=\"etq-fig\">Fig. 5<\/span> \u2013 <span class=\"etrg\">Unguentarium<\/span> \u00e0 panse lenticulaire d\u00e9cor\u00e9e de t\u00eates de M\u00e9duse, production syro-palestinienne, H.&nbsp;: 9&nbsp;cm (Li\u00e8ge, Mus\u00e9e Grand Curtius, n\u00b0 inv. B 420, premi\u00e8re moiti\u00e9 du <span class=\"p-cap\">I<\/span><sup>er<\/sup>&nbsp;s. apr.&nbsp;J.-C.). <span class=\"cred-im\">(\u00a9&nbsp;IRPA, Bruxelles, J.-L.&nbsp;Elias.)<\/span><\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large is-style-default\"><a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z.jpg\"><img  loading=\"lazy\"  decoding=\"async\"  width=\"1920\"  height=\"1920\"  src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\"  alt=\"Unguentarium antique en forme d\u2019aryballe\"  class=\"wp-image-3822 pk-lazyload\"  data-pk-sizes=\"auto\"  data-ls-sizes=\"(max-width: 1920px) 100vw, 1920px\"  data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-1920x1920.jpg\"  data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z.jpg 1920w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-300x300.jpg 300w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-150x150.jpg 150w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-768x768.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-1536x1536.jpg 1536w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-80x80.jpg 80w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-110x110.jpg 110w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-380x380.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-800x800.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-1160x1160.jpg 1160w\" ><\/a><figcaption class=\"wp-element-caption\"><span class=\"etq-fig\">Fig. 6<\/span> \u2013 <span class=\"etrg\">Unguentarium<\/span> en forme d\u2019aryballe, H.&nbsp;: 5,2&nbsp;cm (Charleroi, Mus\u00e9e du Verre, n\u00b0&nbsp;inv. 166.1, <span class=\"p-cap\">II<\/span><sup>e<\/sup>&nbsp;s. apr.&nbsp;J.-C.). <span class=\"cred-im\">(\u00a9&nbsp;IRPA, Bruxelles, H.&nbsp;Pigeolet.)<\/span><\/figcaption><\/figure>\n<h2 id=\"balsamaire-de-synonyme-a-concurrent\">Balsamaire, de synonyme \u00e0 concurrent<\/h2>\n<p>Un synonyme moderne d\u2019<span class=\"etrg\" lang=\"la\">unguentarium<\/span> est le mot balsamaire. Ce terme, omnipr\u00e9sent sur internet, est une cr\u00e9ation r\u00e9cente<span class=\"rv-nbp\"><a href=\"#nbp13\" id=\"anbp13\">13<\/a><\/span>, qui rel\u00e8ve encore actuellement du jargon arch\u00e9ologique et antiquaire. Le mot balsamaire est en effet absent de tous les dictionnaires de r\u00e9f\u00e9rence, anciens et contemporains, \u00e9tymologiques et de langue, aussi bien en fran\u00e7ais<span class=\"rv-nbp\"><a href=\"#nbp14\" id=\"anbp14\">14<\/a><\/span> qu\u2019en anglais, en allemand et en n\u00e9erlandais<span class=\"rv-nbp\"><a href=\"#nbp15\" id=\"anbp15\">15<\/a><\/span>. En italien, trois dictionnaires de langue poss\u00e8dent l\u2019entr\u00e9e <span class=\"etrg\" lang=\"la\">balsamario<\/span>, \u00ab&nbsp;vase \u00e0 parfum&nbsp;\u00bb, pr\u00e9sent\u00e9 comme d\u00e9riv\u00e9 de l\u2019italien <span class=\"etrg\" lang=\"la\">balsamo<\/span>, d\u00e9signant \u00ab&nbsp;la r\u00e9sine odorante que produit le baumier, le baume&nbsp;\u00bb<span class=\"rv-nbp\"><a href=\"#nbp16\" id=\"anbp16\">16<\/a><\/span>. Le plus r\u00e9cent de ces trois dictionnaires (1999) fait remonter \u00e0 1932 l\u2019apparition du terme.<\/p>\n<p>Dans la litt\u00e9rature arch\u00e9ologique, le mot balsamaire surgit en fait bien avant, d\u00e8s le tournant du <span class=\"p-cap\">XX<\/span><sup>e<\/sup>&nbsp;si\u00e8cle, peut-\u00eatre un peu plus t\u00f4t m\u00eame, et dans des circonstances qui restent \u00e0 \u00e9claircir. Le terme figure dans le <span class=\"titre-o\">Dictionnaire<\/span> de Daremberg et Saglio, mais sans entr\u00e9e propre<span class=\"rv-nbp\"><a href=\"#nbp17\" id=\"anbp17\">17<\/a><\/span>. Kisa utilise la forme allemande <span class=\"etrg\" lang=\"la\">Balsamarie<\/span> (plur.&nbsp;<span class=\"etrg\" lang=\"la\">Balsamarien<\/span>)<span class=\"rv-nbp\"><a href=\"#nbp18\" id=\"anbp18\">18<\/a><\/span>, La&nbsp;Baume \u2013 et bien d\u2019autres apr\u00e8s lui &#8211; recourt \u00e0 <span class=\"etrg\" lang=\"la\">balsamarium<\/span><span class=\"rv-nbp\"><a href=\"#nbp19\" id=\"anbp19\">19<\/a><\/span>, nom n\u00e9o-latin, que l\u2019on peut, en cherchant bien, relier \u00e0 un rare et tardif <span class=\"etrg\" lang=\"la\">balsamarius<\/span>, signifiant \u00ab&nbsp;balsamique&nbsp;\u00bb<span class=\"rv-nbp\"><a href=\"#nbp20\" id=\"anbp20\">20<\/a><\/span>, sans aucune survivance ni en latin m\u00e9di\u00e9val, ni en ancien fran\u00e7ais<span class=\"rv-nbp\"><a href=\"#nbp21\" id=\"anbp21\">21<\/a><\/span>. Le mot balsamaire perp\u00e9tue en fran\u00e7ais d\u2019aujourd\u2019hui le mode de formation de <span class=\"etrg\" lang=\"la\">balsamarius<\/span>, \u00e0 partir du lat. clas. <span class=\"etrg\" lang=\"la\">balsamum<\/span> (venu du grec <span class=\"etrg\" lang=\"la\">balsamon<\/span>) d\u00e9signant un genre de plante aromatique (\u00ab&nbsp;impatiente&nbsp;\u00bb)&nbsp;; le suc du baumier&nbsp;; le baume.<span class=\"rv-nbp\"><a href=\"#nbp22\" id=\"anbp22\">22<\/a><\/span><\/p>\n<p>Certains arch\u00e9ologues \u00e9vitent syst\u00e9matiquement le terme balsamaire au profit d\u2019<span class=\"etrg\" lang=\"la\">unguentarium<\/span>&nbsp;; inversement, d\u2019autres ne parlent que de balsamaires l\u00e0 o\u00f9 les premiers voient des <span class=\"etrg\" lang=\"la\">unguentaria<\/span>. D\u2019autres encore emploient les deux termes, quelques-uns enfin s\u2019abstiennent de les utiliser (<span class=\"rv-bibl\">voir <\/span><span class=\"abbr-etr\">infra<\/span><span class=\"rv-bibl\"> Tableau comparatif<\/span>). Ces choix, conscients ou pas, ne soul\u00e8vent a priori pas de difficult\u00e9 fondamentale, tant que l\u2019on consid\u00e8re les deux termes comme interchangeables, l\u2019un \u2013 balsamaire \u2013 pouvant, le cas \u00e9ch\u00e9ant, servir de traduction \u00e0 l\u2019autre \u2013 <span class=\"etrg\" lang=\"la\">unguentarium<\/span>. C\u2019est sous ce sens g\u00e9n\u00e9ral de \u00ab&nbsp;vase \u00e0 parfum&nbsp;\u00bb que le balsamaire et, exceptionnellement, l\u2019<span class=\"etrg\" lang=\"la\">unguentarium<\/span> apparaissent dans le Daremberg et Saglio<span class=\"rv-nbp\"><a href=\"#nbp23\" id=\"anbp23\">23<\/a><\/span>, et que le \u00ab&nbsp;balsamario&nbsp;\u00bb croise l\u2019\u00ab&nbsp;unguentario&nbsp;\u00bb chez De&nbsp;Tommaso<span class=\"rv-nbp\"><a href=\"#nbp24\" id=\"anbp24\">24<\/a><\/span>. Le Dictionnaire de Newman et sa traduction italienne posent clairement l\u2019acception banale de \u00ab&nbsp;vase \u00e0 parfum&nbsp;\u00bb pour le mot balsamaire, en renvoyant le lecteur \u00e0 l\u2019entr\u00e9e <span class=\"etrg\" lang=\"la\">unguentarium<\/span><span class=\"rv-nbp\"><a href=\"#nbp25\" id=\"anbp25\">25<\/a><\/span>.<\/p>\n<p>Un probl\u00e8me surgit quand on pr\u00e9tend opposer balsamaire et <span class=\"etrg\" lang=\"la\">unguentarium<\/span>, des points de vue typologique et chronologique. Le fait s\u2019observe depuis deux d\u00e9cennies environ. Un glossaire publi\u00e9 sous les auspices de l\u2019AIHV (Association internationale pour l\u2019histoire du verre) et plusieurs importants catalogues t\u00e9moignent de cet engagement dans une voie qui pose question. Car les crit\u00e8res mis en \u0153uvre soul\u00e8vent des probl\u00e8mes de pertinence et de coh\u00e9rence, et risquent de para\u00eetre bien arbitraires<span class=\"rv-nbp\"><a href=\"#nbp26\" id=\"anbp26\">26<\/a><\/span>.<\/p>\n<p>S\u2019il est un fait particuli\u00e8rement \u00e9vident dans la verrerie hell\u00e9nistique et romaine, c\u2019est bien l\u2019\u00e9volution du flaconnage li\u00e9e \u00e0 la parfumerie. Elle se manifeste tant par une diversification des formes, des proportions et des d\u00e9cors que par des nouveaut\u00e9s technologiques (soufflage, usage du pontil, fa\u00e7onnage de la l\u00e8vre\u2026). C\u2019est donc sous ces aspects qu\u2019il s\u2019agit de caract\u00e9riser l\u2019\u00e9volution<span class=\"rv-nbp\"><a href=\"#nbp27\" id=\"anbp27\">27<\/a><\/span>, sans vouloir y inscrire un changement terminologique qui n\u2019existe pas.<\/p>\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z.jpg\"><img  loading=\"lazy\"  decoding=\"async\"  width=\"1920\"  height=\"1298\"  src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\"  alt=\"Unguentaria antique, l'un piriforme et l'autre globulaire\"  class=\"wp-image-3823 pk-lazyload\"  data-pk-sizes=\"auto\"  data-ls-sizes=\"(max-width: 1920px) 100vw, 1920px\"  data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z.jpg\"  data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z.jpg 1920w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-300x203.jpg 300w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-768x519.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-1536x1038.jpg 1536w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-380x257.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-800x541.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-1160x784.jpg 1160w\" ><\/a><figcaption class=\"wp-element-caption\"><span class=\"etq-fig\">Fig. 7<\/span> \u2013 \u00c0&nbsp;g. <span class=\"etrg\">unguentarium<\/span> \u00e0 panse piriforme, H. 5&nbsp;cm&nbsp;; \u00e0&nbsp;dr., <span class=\"etrg\">unguentarium<\/span> globulaire, H.&nbsp;: 4,4&nbsp;cm (Arlon, Mus\u00e9e arch\u00e9ologique, deuxi\u00e8me moiti\u00e9 du <span class=\"p-cap\">I<\/span><sup>er<\/sup>&nbsp;s. apr.&nbsp;J.-C.). <span class=\"cred-im\">(\u00a9&nbsp;IRPA, Bruxelles, J.-L.&nbsp;Elias.)<\/span><\/figcaption><\/figure>\n<h2 id=\"que-choisir\">Que choisir&nbsp;?<\/h2>\n<p>En pratique, une terminologie n\u2019a d\u2019int\u00e9r\u00eat que dans la mesure o\u00f9 elle peut contribuer au classement&nbsp;: le terme g\u00e9n\u00e9rique (<span class=\"etrg\" lang=\"la\">unguentarium<\/span> ou balsamaire) devrait, chaque fois que cela est possible, \u00eatre compl\u00e9t\u00e9 \u2013 plut\u00f4t que remplac\u00e9<span class=\"rv-nbp\"><a href=\"#nbp28\" id=\"anbp28\">28<\/a><\/span> \u2013 par un terme serrant de plus pr\u00e8s la forme (askos, amphorisque, aryballe\u2026), celle-ci restant \u00e0 pr\u00e9ciser dans la description, avec r\u00e9f\u00e9rence \u00e0 une typologie arch\u00e9ologique (<span class=\"rv-bibl\">pour le verre, en particulier Isings&nbsp;1957, Goethert-Polaschek&nbsp;1977, De&nbsp;Tommaso&nbsp;1990 et R\u00fctti&nbsp;1991<\/span>). Les termes <span class=\"etrg\" lang=\"la\">unguentarium<\/span> et balsamaire recouvrent la m\u00eame r\u00e9alit\u00e9, mais dans deux langues diff\u00e9rentes.<br \/>Pour autant, l\u2019un et l\u2019autre existent et, l\u2019usage \u00e9tant plus fort, il serait vain de pr\u00e9tendre bannir le second au motif que le premier pr\u00e9sente un enracinement antique plus affirm\u00e9. Pourquoi les arch\u00e9ologues ne pourraient-ils proc\u00e9der comme les botanistes, en r\u00e9servant le terme latin <span class=\"etrg\" lang=\"la\">unguentarium<\/span> au registre scientifique et le terme balsamaire au registre du langage courant&nbsp;?<\/p>\n<p class=\"signature\">Paul <span class=\"nom-auteur\">Fontaine<\/span> &amp; Chantal <span class=\"nom-auteur\">Fontaine-Hodiamont<\/span><\/p>\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z.jpg\"><img  loading=\"lazy\"  decoding=\"async\"  width=\"1920\"  height=\"1335\"  src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\"  alt=\"Unguentaria \u00e9tudi\u00e9s, comparaison des diff\u00e9rences de tailles\"  class=\"wp-image-3824 pk-lazyload\"  data-pk-sizes=\"auto\"  data-ls-sizes=\"(max-width: 1920px) 100vw, 1920px\"  data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z.jpg\"  data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z.jpg 1920w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-300x209.jpg 300w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-768x534.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-1536x1068.jpg 1536w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-380x264.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-800x556.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-1160x807.jpg 1160w\" ><\/a><figcaption class=\"wp-element-caption\"><span class=\"etq-fig\">Fig. 8<\/span> \u2013 Les <span class=\"etrg\">unguentaria<\/span> illustr\u00e9s dans les figures 1 \u00e0 7, r\u00e9unis \u00e0 m\u00eame \u00e9chelle. <span class=\"cred-im\">(\u00a9&nbsp;IRPA, Bruxelles, J.-L. Elias. Infographie&nbsp;: 2022)<\/span><\/figcaption><\/figure>\n<div class=\"wp-block-group\">\n<div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 id=\"annexe\" class=\"wp-block-heading\">Annexe<\/h2>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><\/td>\n<td>Auteurs<\/td>\n<td><span class=\"etrg\" lang=\"la\">Ungentarium<\/span><\/td>\n<td><\/td>\n<td>Balsamaire<\/td>\n<\/tr>\n<tr>\n<td>1877-1919<\/td>\n<td>Daremberg &amp; Saglio<\/td>\n<td>x<\/td>\n<td> =<\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>1913<\/td>\n<td>Morin-Jean<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>1908<\/td>\n<td>Kisa<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>1930<\/td>\n<td>Trowbridge<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>1957<\/td>\n<td>Isings<\/td>\n<td>x<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>1969<\/td>\n<td>Harden<\/td>\n<td>x<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>1969<\/td>\n<td>Hilgers<\/td>\n<td>x<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>1973<\/td>\n<td>La Baume<\/td>\n<td>x<\/td>\n<td><\/td>\n<td>x <\/td>\n<\/tr>\n<tr>\n<td>1976<\/td>\n<td>La Baume &amp; Salomonson<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>1977<\/td>\n<td>Goethert-Polaschek<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>1977\/1993<\/td>\n<td>Newman<\/td>\n<td>x<\/td>\n<td> =<\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>1979<\/td>\n<td>Goldstein<\/td>\n<td>x<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>1989<\/td>\n<td>Grose <\/td>\n<td>x<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>1990<\/td>\n<td>De Tommaso<\/td>\n<td>x<\/td>\n<td> =<\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>1991<\/td>\n<td>R\u00fctti<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>1993<\/td>\n<td>Whitehouse<\/td>\n<td>x<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>1994<\/td>\n<td>Stern &amp; Schlick-Nolte<\/td>\n<td>x<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>1994<\/td>\n<td>Ravagnan<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>1997<\/td>\n<td>Whitehouse<\/td>\n<td>x<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>1998<\/td>\n<td>Meconcelli Notarianni<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>1998<\/td>\n<td>Zampieri<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>1998\/2004<\/td>\n<td>Ferrari (AIHV)<\/td>\n<td>x<\/td>\n<td>&gt;&nbsp;&lt;<\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>2000<\/td>\n<td>Arveiller &amp; Nenna<\/td>\n<td>x<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>2001<\/td>\n<td>Stern<\/td>\n<td>x<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>2001<\/td>\n<td>Foy &amp; Nenna<\/td>\n<td>x<\/td>\n<td>&gt;&nbsp;&lt;<\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>2004<\/td>\n<td>Saldern<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>2004\/2006<\/td>\n<td>Beretta &amp; Di Pasquale<\/td>\n<td>x<\/td>\n<td>&gt;&nbsp;&lt; <\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>2005<\/td>\n<td>Arveiller &amp; Nenna<\/td>\n<td>x<\/td>\n<td>&gt;&nbsp;&lt;<\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>2007<\/td>\n<td>Massab\u00f2<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>2007<\/td>\n<td>Mandruzzato &amp; Marcante<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>2009<\/td>\n<td>Adam-Veleni<\/td>\n<td>x<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<tr>\n<td>2010<\/td>\n<td>Foy<\/td>\n<td>x<\/td>\n<td>&gt;&nbsp;&lt;<\/td>\n<td>x<\/td>\n<\/tr>\n<tr>\n<td>2013<\/td>\n<td>Sennequier<\/td>\n<td>o<\/td>\n<td><\/td>\n<td>o<\/td>\n<\/tr>\n<\/tbody>\n<\/table><figcaption class=\"wp-element-caption\">Tableau comparatif de l\u2019usage des deux termes<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<div id=\"biblio\" class=\"wp-block-group\">\n<div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 id=\"bibliographie\">Bibliographie<\/h2>\n<p><span class=\"bibl-nom-auteur\">Adam-Veleni (P.)<\/span> <span class=\"bibl-aut-prec\">(dir.)<\/span>, 2010. <span class=\"titre-o\">Glass Cosmos<\/span> (Catalogue d\u2019exposition, Mus\u00e9e arch\u00e9ologique de Thessalonique, 20&nbsp;sept. 2009 \u2013 31&nbsp;d\u00e9c. 2010), Thessalonique.<\/p>\n<p><span class=\"bibl-nom-auteur\">Arveiller-Dulong (V.) &amp; Nenna (M.-D.)<\/span>, 2000. <span class=\"titre-o\">Les verres antiques du Mus\u00e9e du Louvre, I.&nbsp;Contenants \u00e0 parfum en verre moul\u00e9 sur noyau et vaisselle moul\u00e9e, VII<sup>e<\/sup>&nbsp;si\u00e8cle avant&nbsp;J.&#8209;C.-I<sup>er<\/sup>&nbsp;si\u00e8cle apr\u00e8s J.&#8209;C.<\/span>, Paris.<\/p>\n<p><span class=\"bibl-nom-auteur\">Arveiller-Dulong (V.) &amp; Nenna (M.-D.)<\/span>, 2005. <span class=\"titre-o\">Les verres antiques du Mus\u00e9e du Louvre, II.&nbsp;Vaisselle et contenants du I<sup>er<\/sup>&nbsp;si\u00e8cle au d\u00e9but du VII<sup>e<\/sup>&nbsp;si\u00e8cle apr\u00e8s J.&#8209;C.<\/span>, Paris.<\/p>\n<p><span class=\"bibl-nom-auteur\">Bark\u00f3czi (L.)<\/span>, 1996. <span class=\"titre-o\">Antike Gl\u00e4zer<\/span> [Mus. Budapest] (Bibliotheca Archaeologica, 19), Rome.<\/p>\n<p><span class=\"bibl-nom-auteur\">Bellanger (J.)<\/span>, 1988. <span class=\"titre-o\">Verres d\u2019usage et de prestige. France 1500-1800<\/span>, Paris.<\/p>\n<p><span class=\"bibl-nom-auteur\">Beretta (M.) &amp; Di Pasquale (G.)<\/span> <span class=\"bibl-aut-prec\">(dir.)<\/span>, 2004. <span class=\"titre-o\">Vitrum. Il vetro fra arte e scienza nel mondo Romano<\/span> (Catalogue d\u2019exposition, Museo degli Argenti, Palazzo Pitti, Florence, 27&nbsp;mars-31&nbsp;oct.&nbsp;2004), Florence-Milan.<\/p>\n<p><span class=\"bibl-nom-auteur\">Beretta (M.) &amp; Di Pasquale (G.)<\/span> <span class=\"bibl-aut-prec\">(dir.)<\/span>, 2006. <span class=\"titre-o\">Arts et Sciences. 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M.)<\/span>, 1972. <span class=\"titre-o\">Greek Painted Pottery<\/span> (2<sup>e<\/sup> \u00e9d.), Londres.<\/p>\n<p><span class=\"bibl-nom-auteur\">Daremberg (Ch.) &amp; Saglio (E.)<\/span> <span class=\"bibl-aut-prec\">(dir.)<\/span>, 1877-1919. <span class=\"titre-o\">Dictionnaire des Antiquit\u00e9s Grecques et Romaines<\/span>, 5&nbsp;tomes, Paris.<\/p>\n<p><span class=\"bibl-nom-auteur\">Dek\u00f3wna (M.) &amp; Olczak (J.)<\/span>, 2002. <span class=\"titre-o\">Principes de description des verres anciens depuis le temps les plus recul\u00e9s jusqu\u2019au XIII<sup>e<\/sup>&nbsp;si\u00e8cle de n.&nbsp;\u00e8. (D\u2019apr\u00e8s l\u2019analyse du mat\u00e9riel arch\u00e9ologique du Centre, de l\u2019Est et du Sud-Est de l\u2019Europe et de la Transcaucasie)<\/span>, Varsovie-Tor\u00fan.<\/p>\n<p><span class=\"bibl-nom-auteur\">De&nbsp;Tommaso (G.)<\/span>, 1990. <span class=\"titre-o\">Ampullae vitreae. Contenitori in vetro di unguenti e sostanze aromatiche dell\u2019Italia romana (I.&nbsp;sec.&nbsp;a.C.-III&nbsp;sec.&nbsp;d.C.)<\/span> (Archaeologica,&nbsp;94), Rome.<\/p>\n<p><span class=\"bibl-nom-auteur\">Dee (J. H.)<\/span>, 1997. <span class=\"titre-o\">A Lexicon of Latin Derivatives in Italian, Spanish, French and English. A Synoptic Etymological Thesaurus with Full Indices<\/span>, Hildesheim-Z\u00fcrich-New&nbsp;York.<\/p>\n<p><span class=\"bibl-nom-auteur\">Du&nbsp;Cange (Ch.)<\/span>, 1883-1887. <span class=\"titre-o\">Glossarium mediae et infimae latinitatis<\/span>. Ed.&nbsp;L.&nbsp;Favre, Niort.<\/p>\n<p><span class=\"bibl-nom-auteur\">Ferrari (D.), Larese (A.), Meconcelli Notarianni (G.) &amp; Verit\u00e0 (M.)<\/span>, 1998. <span class=\"titre-o\">Glossario del vetro archeologico<\/span>. Trad. angl. D. 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Vocabulaire latin et terminologie actuelle&nbsp;\u00bb, dans <span class=\"titre-o\">Signa<\/span>, 1, 2012, p.&nbsp;39-47.<\/p>\n<p><span class=\"bibl-nom-auteur\">Fontaine (P.), Fontaine-Hodiamont (Ch.) &amp; Lenoble-Pinson (M.)<\/span>, 2012b. \u00ab&nbsp;D\u2019<span class=\"etrg\" lang=\"la\">ungentarium<\/span> \u00e0 balsamaire. Les noms des vases \u00e0 parfum en verre hell\u00e9nistiques et romains. Vocabulaire latin et terminologie actuelle&nbsp;\u00bb, dans <span class=\"titre-o\">Folia Electronica Classica<\/span>, 23, janvier-juin&nbsp;2012 (<a href=\"http:\/\/bcs.fltr.ucl.ac.be\/FE\/23\/TM23.html\">http:\/\/bcs.fltr.ucl.ac.be\/FE\/23\/TM23.html<\/span><\/a>).<\/p>\n<p><span class=\"bibl-nom-auteur\">Forcellini (E.)<\/span>, 1884 -1887. <span class=\"titre-o\">Totius Latinitatis Lexicon<\/span> (Patavii, 1771). Ed. 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M.)<\/span>, 1979. \u00ab&nbsp;Pre-Roman and Early Roman Glass&nbsp;\u00bb, dans <span class=\"titre-o\">The Corning Museum of Glass<\/span>, Corning (NY).<\/p>\n<p><span class=\"bibl-nom-auteur\">Grose (D. F.)<\/span>, 1989. <span class=\"titre-o\">The Toledo Museum of Art. Early Ancient Glass<\/span>, New&nbsp;York.<\/p>\n<p><span class=\"bibl-nom-auteur\">Harden (D. B.)<\/span>, 1969. \u00ab&nbsp;Ancient Glass, I.&nbsp;Pre-Roman&nbsp;\u00bb, dans <span class=\"titre-o\">The Archaeological Journal<\/span>, 125, 1969, p.&nbsp;46-72.<\/p>\n<p><span class=\"bibl-nom-auteur\">Hilgers&nbsp;(W.)<\/span>, 1969. <span class=\"titre-o\">Lateinische Gef\u00e4ssnamen. Bezeichnungen, Funktion und Forme r\u00f6mischer Gefasse nach den antiken Schriftquellen <\/span>(Beihefte der Bonner Jahrbuch, 31), D\u00fcsseldorf.<\/p>\n<p><span class=\"bibl-nom-auteur\">Isings&nbsp;(C.)<\/span>, 1957. <span class=\"titre-o\">Roman Glass from Dated Finds (Archaeologica Traiectina, II)<\/span>, Groningen-Djakarta.<\/p>\n<p><span class=\"bibl-nom-auteur\">Kisa&nbsp;(A.)<\/span>, 1908. <span class=\"titre-o\">Das Glas in Altertume<\/span>, II, Leipzig.<\/p>\n<p><span class=\"bibl-nom-auteur\">La&nbsp;Baume&nbsp;(P.)<\/span>, 1973. <span class=\"titre-o\">Glas der antiken Welt<\/span>, I (Wissenschaftliche Kataloge des R\u00f6misch-Germanischen Museums K\u00f6ln, I), Cologne.<\/p>\n<p><span class=\"bibl-nom-auteur\">La&nbsp;Baume&nbsp;(P.) &amp; Salomonson&nbsp;(J. W.)<\/span>, 1976. <span class=\"titre-o\">R\u00f6mische Kleinkunst. 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I vetri dell\u2019antica Albingaunum<\/span> (Catalogue d\u2019exposition, Rome, Museo Nazionale Romano au Palazzo Altemps, 14&nbsp;mai &#8211; 9&nbsp;sept.&nbsp;2007), Milan.<\/p>\n<p><span class=\"bibl-nom-auteur\">Massart&nbsp;(C.), Fontaine-Hodiamont&nbsp;(C.) &amp; Saverwyns&nbsp;(S.)<\/span>, 2003. \u00ab&nbsp;Les <span class=\"etrg\" lang=\"la\">unguentaria<\/span> du tumulus gallo-romain de Vorsen (Com. de Montenaken, prov. de Limbourg). Restauration, marques et contenus&nbsp;\u00bb, dans <span class=\"titre-o\">Bulletin de l\u2019Institut royal du Patrimoine artistique<\/span>, 30, 2003, p.&nbsp;119-142.<\/p>\n<p><span class=\"bibl-nom-auteur\">Meconcelli Notarianni&nbsp;(G.)<\/span> <span class=\"bibl-aut-prec\">(dir.)<\/span>, 1998. <span class=\"titre-o\">Vetri antichi. Arte e tecnica<\/span> (Catalogue d\u2019exposition, Bologne, Museo Civico Archeologico, 27&nbsp;oct.&nbsp;1998 &#8211; 27&nbsp;juin&nbsp;1999), Bologne.<\/p>\n<p><span class=\"bibl-nom-auteur\">Morin-Jean<\/span>, 1913. <span class=\"titre-o\">La verrerie en Gaule sous l\u2019Empire romain. Essai de morphologie et de chronologie<\/span>, Paris.<\/p>\n<p><span class=\"bibl-nom-auteur\">Newman&nbsp;(H.)<\/span>, 1977. <span class=\"titre-o\">An Illustrated Dictionary of Glass<\/span>, Londres.<\/p>\n<p><span class=\"bibl-nom-auteur\">Newman&nbsp;(H.)<\/span>, 1993. <span class=\"titre-o\">Dizionario del vetro<\/span>, Milan.<\/p>\n<p><span class=\"bibl-nom-auteur\">Prinz&nbsp;(O.) &amp; Schneider&nbsp;(J.)<\/span>, 1967. <span class=\"titre-o\">Mittellateinisches W\u00f6rterbuch bis zum ausgehenden 13.&nbsp;Jahrhundert<\/span>, I, 9 <span class=\"etrg\" lang=\"la\">(authentisatus-beneficium)<\/span>, Munich.<\/p>\n<p><span class=\"bibl-nom-auteur\">Ravagnan&nbsp;(G. L.)<\/span>, 1994. <span class=\"titre-o\">Vetri antichi del Museo vetrario di Murano. Collezioni delle Stato<\/span> (Corpus delle collezioni archeologiche del vetro nel Veneto, 1), Fiesso d\u2019Artico.<\/p>\n<p><span class=\"bibl-nom-auteur\">R\u00fctti&nbsp;(B.)<\/span>, 1991. <span class=\"titre-o\">Die r\u00f6mischen Gl\u00e4ser aus Augst und Kaiseraugst<\/span> (Forsch. Augst, 13), Augst.<\/p>\n<p><span class=\"bibl-nom-auteur\">Saldern (von)&nbsp;(A.)<\/span>, 2004. <span class=\"titre-o\">Antikes Glas<\/span> (Handbuch der Arch\u00e4ologie), Munich.<\/p>\n<p><span class=\"bibl-nom-auteur\">Sennequier&nbsp;(G.)<\/span>, 2013. <span class=\"titre-o\">La verrerie romaine en Haute-Normandie<\/span> (Monographies <span class=\"titre-o\">Instrumentum<\/span>&nbsp;45), co\u00e9d. M.&nbsp;Mergoil\/Verre &amp; Histoire, Montagnac.<\/p>\n<p><span class=\"bibl-nom-auteur\">Stern&nbsp;(E. M.) &amp; Schlick-Nolte&nbsp;(B.)<\/span>, 1994. <span class=\"titre-o\">Early Glass of the Ancient World, 1600&nbsp;B.C.-A.D. 50, Ernesto Wolf Collection<\/span>, Ostfildern-Ruit.<\/p>\n<p><span class=\"bibl-nom-auteur\">Stern&nbsp;(E. M.)<\/span>, 2001. <span class=\"titre-o\">Roman, Byzantine and Early Medieval Glass, 10&nbsp;BCE-700 CE., Ernesto Wolf Collection<\/span>, Ostfildern-Ruit.<\/p>\n<p><span class=\"titre-o-ref\">Thesaurus Linguae Latinae<\/span> (<span class=\"titre-ref-abr\">TLL<\/span>), 1900-\u00e0 nos jours, Stuttgart-Leipzig.<\/p>\n<p><span class=\"bibl-nom-auteur\">Trowbridge&nbsp;(M. L.)<\/span>, 1930. <span class=\"titre-o\">Philological Studies in Ancient Glass<\/span> (University of Illinois Studies in Language and Literature, XII), Urbana.<\/p>\n<p><span class=\"bibl-nom-auteur\">Verbanck-Pierard&nbsp;(A.), Massar&nbsp;(N.) &amp; Fr\u00e8re&nbsp;(D.)(dir.)<\/span>, 2008. <span class=\"titre-o\">Parfums de l\u2019Antiquit\u00e9. La rose et l\u2019encens en M\u00e9diterran\u00e9e<\/span> (Catalogue d\u2019exposition, Mus\u00e9e royal de Mariemont, 2008), Mariemont.<\/p>\n<p><span class=\"bibl-nom-auteur\">Whitehouse&nbsp;(D.)<\/span>, 1993. <span class=\"titre-o\">Glass: A Pocket Dictionary of Terms Commonly Used to Describe Glass and Glassmaking<\/span>, Corning (NY).<\/p>\n<p><span class=\"bibl-nom-auteur\">Whitehouse&nbsp;(D.)<\/span>, 1997. <span class=\"titre-o\">Roman Glass in The Corning Museum of Glass<\/span>, I, Corning (NY).<\/p>\n<p><span class=\"bibl-nom-auteur\">Zampieri&nbsp;(G.)<\/span>, 1998. <span class=\"titre-o\">Vetri antichi del Museo Civico Archeologico di Padova<\/span> (Corpus delle Collezioni Archeologiche del Vetro nel Veneto, 3), Fiesso d\u2019Artico.<\/p>\n<\/div>\n<\/div>\n<div id=\"galerie\" class=\"wp-block-group\">\n<div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Figures<\/p>\n<div class=\"cnvs-block-slider-gallery cnvs-block-slider-gallery-1681864721438\" >\n<div\n\tclass='gallery cnvs-gallery-type-slider'\n\tcnvs-flickity=\"init\"\n\tdata-sg-page-dots=\"true\"\n\tdata-sg-page-info=\"true\"\n\tdata-sg-nav=\"true\"\n><\/p>\n<figure class=\"gallery-item\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z.jpg\"><\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1112\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\" class=\"attachment-csco-medium-uncropped size-csco-medium-uncropped pk-lazyload\" alt=\"Unguentarium antique \u00e0 panse piriforme\" data-pk-sizes=\"auto\" data-ls-sizes=\"(max-width: 800px) 100vw, 800px\" data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-800x1112.jpg\" data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-800x1112.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-216x300.jpg 216w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-768x1068.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-1105x1536.jpg 1105w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-380x528.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z-1160x1613.jpg 1160w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f01-ungentarium-piriforme-z.jpg 1381w\" \/><br \/>\n\t\t\t\t\t\t\t<\/a><\/p>\n<div class=\"caption wp-caption-text gallery-caption\"><span class=\"etq-fig\">Fig. 1<\/span> \u2013 <span class=\"etrg\" lang=\"la\">Unguentarium<\/span> \u00e0 panse piriforme, trouv\u00e9 \u00e0 Khirbet Qumr\u00e2n, Cisjordanie, H.&nbsp;: 9,8&nbsp;cm (Palestine Archaeological Museum of Jerusalem, n\u00b0&nbsp;inv.&nbsp;Kh.&nbsp;Q.&nbsp;654, milieu du <span class=\"p-cap\">I<\/span><sup>er<\/sup>&nbsp;s. apr.&nbsp;J.&#8209;C.).  <span class=\"cred-im\">(&copy;&nbsp;IRPA, Bruxelles, J.&nbsp;Declercq.)<\/span><\/div>\n<\/figure>\n<figure class=\"gallery-item\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z.jpg\"><\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"424\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\" class=\"attachment-csco-medium-uncropped size-csco-medium-uncropped pk-lazyload\" alt=\"Unguentaria gallo-romains en forme de chandelier, Belgique\" data-pk-sizes=\"auto\" data-ls-sizes=\"(max-width: 800px) 100vw, 800px\" data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-800x424.jpg\" data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-800x424.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-300x159.jpg 300w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-768x407.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-1536x814.jpg 1536w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-380x201.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z-1160x615.jpg 1160w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f02-ungentaria-chandeliers-z.jpg 1920w\" \/><br \/>\n\t\t\t\t\t\t\t<\/a><\/p>\n<div class=\"caption wp-caption-text gallery-caption\"><span class=\"etq-fig\">Fig. 2<\/span> \u2013 <span class=\"etrg\">Unguentaria<\/span> dits \u00ab&nbsp;en forme de chandelier&nbsp;\u00bb, tumulus de Vorsen\/Fresin, H. de g. \u00e0 dr.&nbsp;: 19&nbsp;cm \/ 17,6&nbsp;cm \/ 18,1&nbsp;cm \/ 13,35&nbsp;cm \/ 20,3&nbsp;cm (Bruxelles, MRAH, n<sup>o<\/sup>&nbsp;inv. B 399, dernier tiers du <span class=\"p-cap\">II<\/span><sup>e<\/sup>&nbsp;s. apr.&nbsp;J.&#8209;C.). <span class=\"cred-im\">(&copy;&nbsp;IRPA, Bruxelles, J.-L.&nbsp;Elias.)<\/span><\/div>\n<\/figure>\n<figure class=\"gallery-item\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z.jpg\"><\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1305\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\" class=\"attachment-csco-medium-uncropped size-csco-medium-uncropped pk-lazyload\" alt=\"Unguentarium d&#039;\u00e9poque romaine en forme de datte s\u00e9ch\u00e9e, Syrie\/Palestine\" data-pk-sizes=\"auto\" data-ls-sizes=\"(max-width: 800px) 100vw, 800px\" data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-800x1305.jpg\" data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-800x1305.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-184x300.jpg 184w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-768x1253.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-942x1536.jpg 942w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-380x620.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z-1160x1892.jpg 1160w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f03-ungentarium-datte-z.jpg 1177w\" \/><br \/>\n\t\t\t\t\t\t\t<\/a><\/p>\n<div class=\"caption wp-caption-text gallery-caption\"><span class=\"etq-fig\">Fig. 3<\/span> \u2013 <span class=\"etrg\">Unguentarium<\/span> en forme de datte s\u00e9ch\u00e9e, production syro-palestinienne, H. 8&nbsp;cm (Li\u00e8ge, Mus\u00e9e Grand Curtius, n\u00b0 inv. B 363, premi\u00e8re moiti\u00e9 du <span class=\"p-cap\">I<\/span><sup>er<\/sup>-d\u00e9but du <span class=\"p-cap\">II<\/span><sup>e<\/sup>&nbsp;s. apr.&nbsp;J.&#8209;C.). <span class=\"cred-im\">(\u00a9&nbsp;IRPA, Bruxelles, J.-L.&nbsp;Elias.)<\/span><\/div>\n<\/figure>\n<figure class=\"gallery-item\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-face-z.jpg\"><\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1208\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\" class=\"attachment-csco-medium-uncropped size-csco-medium-uncropped pk-lazyload\" alt=\"Unguentarium syro-palestinien \u00e0 panse bic\u00e9phale, de face\" data-pk-sizes=\"auto\" data-ls-sizes=\"(max-width: 800px) 100vw, 800px\" data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-face-z-800x1208.jpg\" data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-face-z-800x1208.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-face-z-199x300.jpg 199w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-face-z-768x1159.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-face-z-1018x1536.jpg 1018w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-face-z-380x574.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-face-z-1160x1751.jpg 1160w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-face-z.jpg 1272w\" \/><br \/>\n\t\t\t\t\t\t\t<\/a><\/p>\n<div class=\"caption wp-caption-text gallery-caption\"><span class=\"etq-fig\">Fig. 4<\/span> <br \/><span class=\"etrg\">Unguentarium<\/span> \u00e0 panse bic\u00e9phale, production syro-palestinienne, H.&nbsp;: 10&nbsp;cm (face) (Li\u00e8ge, Mus\u00e9e Grand Curtius, n\u00b0 inv. 84\/34, fin du <span class=\"p-cap\">II<\/span><sup>e<\/sup>&nbsp;s. apr.&nbsp;J.&#8209;C.). <span class=\"cred-im\">(&copy;&nbsp;IRPA, Bruxelles, J.-L.&nbsp;Elias.)<\/span><\/div>\n<\/figure>\n<figure class=\"gallery-item\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-profil-z.jpg\"><\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1208\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\" class=\"attachment-csco-medium-uncropped size-csco-medium-uncropped pk-lazyload\" alt=\"Unguentarium syro-palestinien \u00e0 panse bic\u00e9phale, de profil\" data-pk-sizes=\"auto\" data-ls-sizes=\"(max-width: 800px) 100vw, 800px\" data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-profil-z-800x1208.jpg\" data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-profil-z-800x1208.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-profil-z-199x300.jpg 199w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-profil-z-768x1159.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-profil-z-1018x1536.jpg 1018w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-profil-z-380x574.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-profil-z-1160x1751.jpg 1160w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f04-ungentarium-panse-bicephale-profil-z.jpg 1272w\" \/><br \/>\n\t\t\t\t\t\t\t<\/a><\/p>\n<div class=\"caption wp-caption-text gallery-caption\"><span class=\"etq-fig\">Fig. 4<\/span> <br \/><span class=\"etrg\">Unguentarium<\/span> \u00e0 panse bic\u00e9phale, production syro-palestinienne, H.&nbsp;: 10&nbsp;cm (profil) (Li\u00e8ge, Mus\u00e9e Grand Curtius, n\u00b0 inv. 84\/34, fin du <span class=\"p-cap\">II<\/span><sup>e<\/sup>&nbsp;s. apr.&nbsp;J.&#8209;C.). <span class=\"cred-im\">(&copy;&nbsp;IRPA, Bruxelles, J.-L.&nbsp;Elias.)<\/span><\/div>\n<\/figure>\n<figure class=\"gallery-item\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z.jpg\"><\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1067\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\" class=\"attachment-csco-medium-uncropped size-csco-medium-uncropped pk-lazyload\" alt=\"Unguentarium syro-palestinien \u00e0 panse lenticulaire orn\u00e9e de t\u00eates de M\u00e9duse\" data-pk-sizes=\"auto\" data-ls-sizes=\"(max-width: 800px) 100vw, 800px\" data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-800x1067.jpg\" data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-800x1067.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-225x300.jpg 225w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-768x1024.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-1152x1536.jpg 1152w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-380x507.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z-1160x1547.jpg 1160w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f05-ungentarium-meduse-z.jpg 1440w\" \/><br \/>\n\t\t\t\t\t\t\t<\/a><\/p>\n<div class=\"caption wp-caption-text gallery-caption\"><span class=\"etq-fig\">Fig. 5<\/span> \u2013 <span class=\"etrg\">Unguentarium<\/span> \u00e0 panse lenticulaire d\u00e9cor\u00e9e de t\u00eates de M\u00e9duse, production syro-palestinienne, H.&nbsp;: 9&nbsp;cm (Li\u00e8ge, Mus\u00e9e Grand Curtius, n\u00b0 inv. B 420, premi\u00e8re moiti\u00e9 du <span class=\"p-cap\">I<\/span><sup>er<\/sup>&nbsp;s. apr.&nbsp;J.&#8209;C.). <span class=\"cred-im\">(&copy;&nbsp;IRPA, Bruxelles, J.-L.&nbsp;Elias.)<\/span><\/div>\n<\/figure>\n<figure class=\"gallery-item\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z.jpg\"><\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\" class=\"attachment-csco-medium-uncropped size-csco-medium-uncropped pk-lazyload\" alt=\"Unguentarium antique en forme d\u2019aryballe\" data-pk-sizes=\"auto\" data-ls-sizes=\"(max-width: 800px) 100vw, 800px\" data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-800x800.jpg\" data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-800x800.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-300x300.jpg 300w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z.jpg 1920w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-150x150.jpg 150w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-768x768.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-1536x1536.jpg 1536w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-80x80.jpg 80w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-110x110.jpg 110w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-380x380.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f06-ungetarium-aryballe-z-1160x1160.jpg 1160w\" \/><br \/>\n\t\t\t\t\t\t\t<\/a><\/p>\n<div class=\"caption wp-caption-text gallery-caption\"><span class=\"etq-fig\">Fig. 6<\/span> \u2013 <span class=\"etrg\">Unguentarium<\/span> en forme d\u2019aryballe, H.&nbsp;: 5,2&nbsp;cm (Charleroi, Mus\u00e9e du Verre, n\u00b0&nbsp;inv. 166.1, <span class=\"p-cap\">II<\/span><sup>e<\/sup>&nbsp;s. apr.&nbsp;J.&#8209;C.). <span class=\"cred-im\">(&copy;&nbsp;IRPA, Bruxelles, H.&nbsp;Pigeolet.)<\/span><\/div>\n<\/figure>\n<figure class=\"gallery-item\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z.jpg\"><\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"541\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\" class=\"attachment-csco-medium-uncropped size-csco-medium-uncropped pk-lazyload\" alt=\"Unguentaria antique, l&#039;un piriforme et l&#039;autre globulaire\" data-pk-sizes=\"auto\" data-ls-sizes=\"(max-width: 800px) 100vw, 800px\" data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-800x541.jpg\" data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-800x541.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-300x203.jpg 300w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-768x519.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-1536x1038.jpg 1536w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-380x257.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z-1160x784.jpg 1160w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f07-ungentaria-z.jpg 1920w\" \/><br \/>\n\t\t\t\t\t\t\t<\/a><\/p>\n<div class=\"caption wp-caption-text gallery-caption\"><span class=\"etq-fig\">Fig. 7<\/span> \u2013 \u00c0&nbsp;g. <span class=\"etrg\">unguentarium<\/span> \u00e0 panse piriforme, H. 5&nbsp;cm&nbsp;; \u00e0&nbsp;dr., <span class=\"etrg\">unguentarium<\/span> globulaire, H.&nbsp;: 4,4&nbsp;cm (Arlon, Mus\u00e9e arch\u00e9ologique, deuxi\u00e8me moiti\u00e9 du <span class=\"p-cap\">I<\/span><sup>er<\/sup>&nbsp;s. apr.&nbsp;J.&#8209;C.). <span class=\"cred-im\">(&copy;&nbsp;IRPA, Bruxelles, J.-L.&nbsp;Elias.)<\/span><\/div>\n<\/figure>\n<figure class=\"gallery-item\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z.jpg\"><\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"556\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABAQMAAAAl21bKAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAApJREFUCNdjYAAAAAIAAeIhvDMAAAAASUVORK5CYII=\" class=\"attachment-csco-medium-uncropped size-csco-medium-uncropped pk-lazyload\" alt=\"Unguentaria \u00e9tudi\u00e9s, comparaison des diff\u00e9rences de tailles\" data-pk-sizes=\"auto\" data-ls-sizes=\"(max-width: 800px) 100vw, 800px\" data-pk-src=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-800x556.jpg\" data-pk-srcset=\"https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-800x556.jpg 800w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-300x209.jpg 300w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-768x534.jpg 768w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-1536x1068.jpg 1536w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-380x264.jpg 380w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z-1160x807.jpg 1160w, https:\/\/cvh3.studio-transverse.fr\/wp-content\/uploads\/2022\/04\/c3f-16-f08-unguentaria-z.jpg 1920w\" \/><br \/>\n\t\t\t\t\t\t\t<\/a><\/p>\n<div class=\"caption wp-caption-text gallery-caption\"><span class=\"etq-fig\">Fig. 8<\/span> \u2013 Les <span class=\"etrg\">unguentaria<\/span> illustr\u00e9s dans les figures 1 \u00e0 7, r\u00e9unis \u00e0 m\u00eame \u00e9chelle. <span class=\"cred-im\">(&copy;&nbsp;IRPA, Bruxelles, J.-L. Elias. Infographie&nbsp;: 2022)<\/span><\/div>\n<\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"notes-bdp\" class=\"wp-block-group\">\n<div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"titre\">Notes<\/p>\n<p id=\"nbp1\"><span class=\"ref-nbp\">1.&nbsp;<\/span><a href=\"#anbp1\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> La pr\u00e9sente contribution est une version actualis\u00e9e et abr\u00e9g\u00e9e d\u2019un texte mis en ligne sur les <span class=\"titre-o\">Folia Electronica Classica<\/span>, 23, janvier-juin&nbsp;2012 (<a href=\"http:\/\/bcs.fltr.ucl.ac.be\/FE\/23\/TM23.html\">http:\/\/bcs.fltr.ucl.ac.be\/FE\/23\/TM23.html<\/span><\/a>) et pr\u00e9-publi\u00e9 dans <span class=\"titre-o\">Signa<\/span>, 1, 2012, p.&nbsp;39-47 (Journ\u00e9e d\u2019Arch\u00e9ologie romaine, Tongres, Belgique), avec une note compl\u00e9mentaire de linguistique fran\u00e7aise par M.&nbsp;Lenoble-Pinson, professeur honoraire, Univ. Saint-Louis, Bruxelles.<\/p>\n<p id=\"nbp2\"><span class=\"ref-nbp\">2.&nbsp;<\/span><a href=\"#anbp2\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Forcellini&nbsp;1884-1887, IV, p.&nbsp;864, <span class=\"titre-ref-abr\">s.&nbsp;v. unguentarius<\/span>&nbsp;; Blaise&nbsp;1954, p.&nbsp;857, <span class=\"titre-ref-abr\">s.&nbsp;v. unguentarium<\/span>&nbsp;; Hilgers&nbsp;1969, p.&nbsp;298.<\/p>\n<p id=\"nbp3\"><span class=\"ref-nbp\">3.&nbsp;<\/span><a href=\"#anbp3\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Plin., <span class=\"titre-ref-abr\">N.H.<\/span>, 36, 12, 60&nbsp;; <span class=\"titre-ref-abr\">Dig.<\/span>, 34.2.25.10 (Ulp., <span class=\"titre-ref-abr\">Ad Sab.<\/span>).<\/p>\n<p id=\"nbp4\"><span class=\"ref-nbp\">4.&nbsp;<\/span><a href=\"#anbp4\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Evod. <span class=\"titre-ref-abr\">d.<\/span> Aug., 158, 12. Lettre conserv\u00e9e dans la correspondance de saint Augustin et due \u00e0 Evodius, \u00e9v\u00eaque d\u2019Uzalis (auj.&nbsp;El-Alia), pr\u00e8s d\u2019Utique. Contrairement \u00e0 ce qu\u2019avance Whitehouse&nbsp;1993, p.&nbsp;81, le terme <span class=\"etrg\" lang=\"la\">unguentarium<\/span> n\u2019a donc pas \u00e9t\u00e9 invent\u00e9 au <span class=\"p-cap\">XIX<\/span><sup>e<\/sup>&nbsp;s., mais plut\u00f4t ressuscit\u00e9 \u2013&nbsp;inconsciemment peut-\u00eatre&nbsp;&#8211; par l\u2019arch\u00e9ologie moderne. En revanche, Whitehouse&nbsp;1997, p.&nbsp;148, admet l\u2019antiquit\u00e9 du terme mais, pour des raisons qui nous \u00e9chappent, limite son emploi au vase \u00e0 parfum en chandelier (\u00ab&nbsp;Candelstick-Unguentarium&nbsp;\u00bb).<\/p>\n<p id=\"nbp5\"><span class=\"ref-nbp\">5.&nbsp;<\/span><a href=\"#anbp5\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> \u00c0&nbsp;c\u00f4t\u00e9 d\u2019<span class=\"etrg\" lang=\"la\">unguentarium<\/span> et avec le m\u00eame sens de \u00ab&nbsp;vase \u00e0 huile parfum\u00e9e&nbsp;\u00bb, on doit signaler <span class=\"etrg\" lang=\"la\">unguilla<\/span>, terme rare&nbsp;: Solin, 27, 56. Cf.&nbsp;Forcellini&nbsp;1884-1887, IV, p.&nbsp;865, <span class=\"titre-ref-abr\">sub&nbsp;verbo.<\/span><\/p>\n<p id=\"nbp6\"><span class=\"ref-nbp\">6.&nbsp;<\/span><a href=\"#anbp6\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Verbanck <span class=\"abbr-etr\">et al.<\/span> 2008, p.&nbsp;239-240 [Brun&nbsp;J.-P.]. Voir aussi plus pr\u00e9cis\u00e9ment l\u2019analyse du contenu de nature v\u00e9g\u00e9tale pr\u00e9sent dans deux <span class=\"etrg\" lang=\"la\">unguentaria<\/span> de Fresin\/Vorsen, dans Massart, Fontaine-Hodiamont &amp; Saverwyns&nbsp;2003, en part. p.&nbsp;132-142.<\/p>\n<p id=\"nbp7\"><span class=\"ref-nbp\">7.&nbsp;<\/span><a href=\"#anbp7\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Newman&nbsp;1977, p.&nbsp;322, <span class=\"titre-ref-abr\">s.&nbsp;v. unguentarium<\/span>.<\/p>\n<p id=\"nbp8\"><span class=\"ref-nbp\">8.&nbsp;<\/span><a href=\"#anbp8\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Cook&nbsp;1972, p.&nbsp;217-218 et p.&nbsp;230-232.<\/p>\n<p id=\"nbp9\"><span class=\"ref-nbp\">9.&nbsp;<\/span><a href=\"#anbp9\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> <span class=\"titre-ref-abr\">TLL<\/span>, VII, 2, c. 1099, <span class=\"titre-ref-abr\">s.&nbsp;v. lecythus<\/span>.<\/p>\n<p id=\"nbp10\"><span class=\"ref-nbp\">10.&nbsp;<\/span><a href=\"#anbp10\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> <span class=\"titre-ref-abr\">TLL<\/span>, I, c. 1471-1472, <span class=\"titre-ref-abr\">s.&nbsp;v. alabaster.<\/span><\/p>\n<p id=\"nbp11\"><span class=\"ref-nbp\">11.&nbsp;<\/span><a href=\"#anbp11\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> <span class=\"titre-ref-abr\">TLL<\/span>, VI, 2, c. 2378, <span class=\"titre-ref-abr\">s.&nbsp;v. gutus<\/span>. \u00c0&nbsp;ces formes vasculaires, on peut adjoindre la pyxide et l\u2019<span class=\"etrg\" lang=\"la\">ampulla<\/span>&nbsp;: voir Fontaine, Fontaine-Hodiamont &amp; Lenoble-Pinson&nbsp;2012a, p.&nbsp;40&nbsp;; 2012b, p.&nbsp;3-4.<\/p>\n<p id=\"nbp12\"><span class=\"ref-nbp\">12.&nbsp;<\/span><a href=\"#anbp12\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Daremberg &amp; Saglio&nbsp;1877-1919, II, 2, p.&nbsp;1674, <span class=\"titre-ref-abr\">s.&nbsp;v. guttus<\/span> [Pottier E.].<\/p>\n<p id=\"nbp13\"><span class=\"ref-nbp\">13.&nbsp;<\/span><a href=\"#anbp13\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> D\u00e9j\u00e0 soulign\u00e9 par Marti&nbsp;1996, p.&nbsp;979, note&nbsp;4. L\u2019affirmation selon laquelle le terme \u00ab&nbsp;balsamaire&nbsp;\u00bb aurait \u00e9t\u00e9 en usage jusqu\u2019au d\u00e9but du <span class=\"p-cap\">XVI<\/span><sup>e<\/sup>&nbsp;s. (Bellanger&nbsp;1988, p.&nbsp;245) est d\u00e9pourvue de tout fondement.<\/p>\n<p id=\"nbp14\"><span class=\"ref-nbp\">14.&nbsp;<\/span><a href=\"#anbp14\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Voir les dictionnaires Robert, Larousse, Rey, Littr\u00e9, <span class=\"titre-ref-abr\">TLF<\/span>, de l\u2019Acad\u00e9mie Fran\u00e7aise\u2026 et tous les dictionnaires consultables en ligne repris dans <span class=\"titre-o\">The ARTFL Project<\/span> et par <span class=\"titre-o\">Lexilogos<\/span> (recherche effectu\u00e9e avec l\u2019aide de M.&nbsp;Lenoble-Pinson, que nous tenons \u00e0 remercier chaleureusement). Ajoutons que le terme balsamaire est toutefois entr\u00e9 en 2011 dans un dictionnaire \u00ab&nbsp;officiel&nbsp;\u00bb, r\u00e9alis\u00e9 avec des \u00e9coliers de France \u00e0 l\u2019initiative du Minist\u00e8re de l\u2019\u00c9ducation nationale&nbsp;: \u00ab&nbsp;Flacon \u00e0 parfum en verre, en bronze ou en argile dont les femmes se servaient dans l\u2019Antiquit\u00e9.&nbsp;\u00bb Voir <span class=\"titre-o\">Le Dictionnaire des \u00e9coliers 8-11&nbsp;ans<\/span>, Paris, Larousse, 2011 = http:\/\/www.cndp.fr\/dictionnaire-des-ecoliers\/<\/span>.<\/p>\n<p id=\"nbp15\"><span class=\"ref-nbp\">15.&nbsp;<\/span><a href=\"#anbp15\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Voir entre autres les dictionnaires Harraps, Cambridge, Oxford, Duden,Van Daele. Nos vifs remerciements \u00e0 S.&nbsp;De&nbsp;Knop, Univ. Saint-Louis \u00e0 Bruxelles, pour son aide.<\/p>\n<p id=\"nbp16\"><span class=\"ref-nbp\">16.&nbsp;<\/span><a href=\"#anbp16\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Voir <span class=\"titre-ref-abr\">sub&nbsp;verbo<\/span> le Battaglia (1962), le <span class=\"titre-o\">Vocabolario<\/span> de l\u2019Istituto della Enciclopedia italiana (1986) et le <span class=\"titre-o\">Grande Dizionario Italiano dell\u2019Uso<\/span> de Tullio de Mauro (1999). Tous nos remerciements \u00e0 C.&nbsp;Casarin, Univ. Saint-Louis \u00e0 Bruxelles, pour ses pr\u00e9cieuses recherches.<\/p>\n<p id=\"nbp17\"><span class=\"ref-nbp\">17.&nbsp;<\/span><a href=\"#anbp17\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Daremberg &amp; Saglio&nbsp;1877-1919, IV, 2, <span class=\"titre-ref-abr\">s.&nbsp;v. sphynx<\/span>, p.&nbsp;1438&nbsp;; V, <span class=\"titre-ref-abr\">s.&nbsp;v. <\/span><span class=\"titre-ref-abr\"><\/span><span class=\"titre-ref-abr\">unguentum<\/span>, p.&nbsp;592 et ss., et <span class=\"titre-ref-abr\">s.&nbsp;v. vitrum<\/span>, p.&nbsp;936 et ss.<\/p>\n<p id=\"nbp18\"><span class=\"ref-nbp\">18.&nbsp;<\/span><a href=\"#anbp18\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Kisa&nbsp;1908, II, p.&nbsp;326-330.<\/p>\n<p id=\"nbp19\"><span class=\"ref-nbp\">19.&nbsp;<\/span><a href=\"#anbp19\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> La&nbsp;Baume&nbsp;1973, p.&nbsp;10. <span class=\"etrg\" lang=\"la\">Balsamarium<\/span> est depuis lors la forme courante en anglais et en allemand \u2013&nbsp;mais <span class=\"etrg\" lang=\"la\">Balsamar<\/span> chez Bark\u00f3czi&nbsp;1996&nbsp;\u2013, l\u2019italien pr\u00e9f\u00e9rant nettement le correspondant italien <span class=\"etrg\" lang=\"la\">balsamario<\/span>. On notera que l<span class=\"titre-o\">\u2019Enciclopedia dell\u2019Arte antica, classica e orientale<\/span> (7&nbsp;vol., 1958-1966), en ce compris ses volumes de suppl\u00e9ment&nbsp;I (1970 [1973]) et II (1994-1997), ne comporte d\u2019entr\u00e9e ni pour <span class=\"etrg\" lang=\"la\">unguentarium<\/span>&nbsp;(<span class=\"etrg\" lang=\"la\">-rio<\/span>), ni pour <span class=\"etrg\" lang=\"la\">balsamario<\/span>, ce dernier terme apparaissant sporadiquement dans quelques articles signal\u00e9s dans les <span class=\"titre-o\">Indici<\/span> (1984).<\/p>\n<p id=\"nbp20\"><span class=\"ref-nbp\">20.&nbsp;<\/span><a href=\"#anbp20\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> <span class=\"titre-ref-abr\">TLL<\/span>, II, c. 1709, <span class=\"titre-ref-abr\">s.&nbsp;v. balsamarius<\/span>. <span class=\"etrg\" lang=\"la\">Herbae balsamariae<\/span> chez Plinius Valerianus, auteur du <span class=\"p-cap\">VI<\/span><sup>e<\/sup>&nbsp;s. apr.&nbsp;J.&#8209;C. (cf.&nbsp;<span class=\"titre-ref-abr\">TLL<\/span>, <span class=\"titre-o\">Index autorum<\/span> [1904], p.&nbsp;85).<\/p>\n<p id=\"nbp21\"><span class=\"ref-nbp\">21.&nbsp;<\/span><a href=\"#anbp21\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Mot absent de Blaise&nbsp;1954, Du&nbsp;Cange&nbsp;1883-1887, Prinz &amp; Schneider&nbsp;1967 et Dee&nbsp;1997.<\/p>\n<p id=\"nbp22\"><span class=\"ref-nbp\">22.&nbsp;<\/span><a href=\"#anbp22\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Fontaine, Fontaine-Hodiamont &amp; Lenoble-Pinson&nbsp;2012a, p.&nbsp;45&nbsp;; 2012b, p.&nbsp;9-10.<\/p>\n<p id=\"nbp23\"><span class=\"ref-nbp\">23.&nbsp;<\/span><a href=\"#anbp23\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Pour balsamaire, voir <span class=\"abbr-etr\">supra<\/span> note&nbsp;17&nbsp;; pour <span class=\"etrg\" lang=\"la\">unguentarium<\/span>&nbsp;: Daremberg &amp; Saglio&nbsp;1877-1919, IV, 2, p.&nbsp;867, <span class=\"titre-ref-abr\">s.&nbsp;v. rhyton<\/span>. L\u2019<span class=\"etrg\" lang=\"la\">unguentarium<\/span>, \u00ab&nbsp;flacon \u00e0 huile et \u00e0 odeurs&nbsp;\u00bb, y est cit\u00e9 comme devant faire l\u2019objet d\u2019une entr\u00e9e dans le dictionnaire mais le projet est rest\u00e9 sans suite.<\/p>\n<p id=\"nbp24\"><span class=\"ref-nbp\">24.&nbsp;<\/span><a href=\"#anbp24\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> De&nbsp;Tommaso&nbsp;1990, e.a p.&nbsp;20.<\/p>\n<p id=\"nbp25\"><span class=\"ref-nbp\">25.&nbsp;<\/span><a href=\"#anbp25\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Newman&nbsp;1977 et 1993. Notons que le mot balsamaire n\u2019est pas r\u00e9serv\u00e9 qu\u2019aux fioles en verre, mais est appliqu\u00e9 aux vases \u00e0 parfum r\u00e9alis\u00e9s dans d\u2019autres mati\u00e8res. Les arch\u00e9ologues l\u2019utilisent ainsi couramment pour d\u00e9signer de petits r\u00e9cipients anthropomorphes en bronze, pourvus d\u2019un couvercle et d\u2019une anse, datant de l\u2019\u00e9poque romaine imp\u00e9riale&nbsp;: Marti&nbsp;1996, en part. p.&nbsp;979-990.<\/p>\n<p id=\"nbp26\"><span class=\"ref-nbp\">26.&nbsp;<\/span><a href=\"#anbp26\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Par exemple en fixant une contenance de 10&nbsp;ml max. pour le balsamaire, et de 10 \u00e0 50&nbsp;ml pour l\u2019<span class=\"etrg\" lang=\"la\">unguentarium <\/span>(Foy &amp; Nenna&nbsp;2001, p.&nbsp;149&nbsp;sv.)&nbsp;; ou en d\u00e9cr\u00e9tant qu\u2019au contraire, il faut r\u00e9server le terme <span class=\"etrg\" lang=\"la\">unguentarium<\/span> aux petites bouteilles de toilette en verre souffl\u00e9 (Dek\u00f3wna &amp; Olczak&nbsp;2002, p.&nbsp;57-58)&nbsp;; ou encore en cantonnant le terme dans une forme unique \u2013 sorte de toute petite hydrie \u2013, fa\u00e7onn\u00e9e sur noyau (Ferrari <span class=\"abbr-etr\">et al.<\/span> 1998, p.&nbsp;13 et&nbsp;47 = Ferrari <span class=\"abbr-etr\">et al.<\/span> 2004, p.&nbsp;13 et&nbsp;47 [AIHV]). Ce dernier parti pris remonte en fait \u00e0 Harden&nbsp;1969, p.&nbsp;54, fig.&nbsp;3, suivi par Goldstein&nbsp;1979, puis Grose&nbsp;1989, enfin Stern&nbsp;1994, mais abandonn\u00e9 par Stern&nbsp;2001, qui, p.&nbsp;22, adopte un sens g\u00e9n\u00e9ral&nbsp;: \u00ab&nbsp;<span class=\"etrg\" lang=\"la\">unguentarium<\/span>. A small, general purpose bottle, more often than without handle. Container for cosmetics, scents, medicines, herbs, pigments, etc. Special shapes include&nbsp;: aryballos, bird, sphere.&nbsp;\u00bb Pour plus de d\u00e9tails, et notamment sous l\u2019aspect chronologique, voir Fontaine, Fontaine-Hodiamont &amp; Lenoble-Pinson&nbsp;2012a, p.&nbsp;41&nbsp;; 2012b, p.&nbsp;6.<\/p>\n<p id=\"nbp27\"><span class=\"ref-nbp\">27.&nbsp;<\/span><a href=\"#anbp27\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Une caract\u00e9risation dans cet esprit est propos\u00e9e par Mandruzzato &amp; Marcante&nbsp;2007, p.&nbsp;44-48 (\u00ab&nbsp;Il linguaggio&nbsp;\u00bb) et par Sennequier&nbsp;2013, p.&nbsp;17-21 (M\u00e9thodologie dans la description des verres et typochronologie). Un contre-exemple illustrant l\u2019aporie d\u2019une voie hyper-formaliste, structur\u00e9e pour un langage informatique&nbsp;: Dek\u00f3wna &amp; Olczak&nbsp;2002.<\/p>\n<p id=\"nbp28\"><span class=\"ref-nbp\">28.&nbsp;<\/span><a href=\"#anbp28\" title=\"Retourner au texte\">&nbsp;&uarr;&nbsp;<\/a> Voie suivie par Ravagnan&nbsp;1994, Mandruzzato &amp; Marcante&nbsp;2007 et Sennequier&nbsp;2013.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"R\u00e9sum\u00e9 On trouvera ici une pr\u00e9sentation synth\u00e9tique et une mise au point pour les termes unguentarium et balsamaire.&hellip;\n","protected":false},"author":8,"featured_media":5372,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[11,14,15,45,75,99,102,103,104,107,109],"class_list":["post-3417","post","type-post","status-publish","format-standard","has-post-thumbnail","category-periode-antique","tag-antiquite","tag-aryballe","tag-balsamaire","tag-flacon","tag-parfum","tag-terminologie","tag-typochronologie","tag-unguentaria","tag-unguentarium","tag-vase","tag-verre","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Unguentarium et balsamaire en verre. 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